Issue 10.1 is a special issue, guest edited by Garrett Lynch (University of South Wales) and Rea Dennis (Deakin University). The contributions to this issue have been compiled from the outcomes of the international conference Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance held at the University of South Wales on the 11th and 12th of April 2013. The conference brought together artists and scholars with a joint interest in using networks as a means to enhance or create a wide variety of performance arts.
Issue 9.4 features sixteen contributions, including essays, artist pages, contributions to the City series and the Performance and Pedagogy series, and book reviews. Topics include traumatic memory, suicide, identity, reflexivity, performance praxis, transformation, and advertising to defense contractors.
Liminalities is an open-access peer-reviewed journal for performance studies, theory and praxis. Our goal is to embrace the possibilities for presenting work in performance studies (broadly construed) by exploring and exploiting the "staging" potential of digital media. We publish essays, aesthetic works, digital media projects, artist pages, performance scripts, themed forums, documentaries, reviews, interviews, works about performance in urban environments, and works about pedagogy & performance. Follow the journal information link for information about submitting projects and essays to Liminalities.