The current issue is Volume 7, number 4 (December 2011). It features essays on prison rodeos, Method acting, a Hollywood childhood, punk feminism, and The Yes Men. We have the first contribution to our Digital Horizons series with a database installation, a contribution to The City series on bicycle commuting, and a book review.

Issue 7.3 features essays on the reconstruction of Asianness in Australian performance art, on mourning and recorded performance, and on desire in pornography and hip-hop. There is a collection of "movement maps," and an essay about performing masculinity among Polish homeless men in London (for our recurring series The City).

Liminalities is an open-access peer-reviewed journal for performance studies, theory and praxis. Our goal is to embrace the possibilities for presenting work in performance studies (broadly construed) by exploring and exploiting the "staging" potential of digital media. We publish essays, aesthetic works, digital media projects, artist pages, perforamce scripts, themed forums, documentaries, reviews, interviews, works about performance in urban environments, and works about pedagogy & performance. Follow the journal information link for information about submitting projects and essays to Liminalities.