Liminalities will publish reviews of any books relevant to performance studies, broadly construed. If you are interested in reviewing one of the books listed below, please send a note of inquiry to the editor, Michael LeVan:

editor@liminalities.net or mlevan@tampabay.rr.com

If interested in reviewing another title, send a note of proposal to the editor. Publishers should contact editor@liminalities.net or send materials to Michael LeVan, Editor, Liminalities, Department of Communication, University of South Florida, 4202 East Fowler Avenue, CIS 1040, Tampa, FL 33620-7800.



recent titles received for review:

Techniques of Pleasure: BDSM and the Circuits of Sexuality (Margot Weiss | Duke UP)

Mickery Theater: An Imperfect Archaeology (Mike Pearson | Amsterdam UP)

The Democracy of Objects (Levi R. Bryant). [note: link goes straight to open access book published by Open Humanities Press)

Immersion into Noise (Joseph Nechvatal). [note: link goes straight to open access book published by Open Humanities Press]

Native Acts: Indian Performance, 1603-1832. (eds. Joshua David Bellin and Laura L. Mielke)

The Face of America: Plays for Young People (eds. Peter Brosius and Elissa Adams | Minnesota UP)

La fête-spectacle: Théâtre et rite au Népal (by Gérard Toffin | Éditions de la maison des sciences de l'homme)

From Bourgeois to Boojie: Black Middle-Class Performance (eds. Vershawn Ashanti Young and Bridget Harris Tsemo | Wayne State UP)

Correspondence Course: An Epistolary History of Carolee Schneeman and Her Circle (ed. Kristine Stiles | Duke UP)

The Surveillance of Women on Reality Television (by Rachel Dubrofsky | Lexington)

Adrian Piper: Gender, Race and Embodiment (by John P. Bowles | Duke UP)

So Much Wasted: Hunger, Performance, and the Morbidity of Resistance (by Patrick Anderson | Duke UP)




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